BIOGRAPHY
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Published works  Composers  Georges Antoine  Paul Barras  Tiziano Bedetti  Michel Béro  Jean-Louis Cadée  Leonello Capodaglio  Yves Carlin  Dominique Charle  Thierry Chleide  Marcel Cominotto  Roger Cornelis  Mathieu Debaar  Christian Debecq  Firmin Decerf  Paul Detiffe  Berthe di Vito-Delvaux  Georges Dubois  Albert Dupuis  Luc Dupuis  Michel Fourgon  Pierre Froidebise  Maurice Guillaume  André Jadot  Mathieu Jodin  André Klenes  Lucien Lambotte  Louis Lavoye  Michel Leclerc  Guillaume Lekeu  Jean-Luc Lepage  Alain Levecq  Pierre Liémans  Albert Lomba  Guy-Philippe Luypaerts  Anne Martin  Raymond Micha  Marian Mitea  Onofrio Palumbo  Désiré Pâque  Jean-Dominique Pasquet  Carlos Peron Cano  René Potrat  Henri Pousseur  Jean Rogister  Paul Rouault  Paul Sana  Edouard Senny  Claude Siquiet  Philippe Verkaeren  Patrick Wilwerth  Pirly Zurstrassen	Henri POUSSEUR (Malmedy 1929 - Bruxelles 2009)
	Henri Pousseur was born in Malmédy on June 23, 1929 and died in Brussels on March 6, 2009. He studied at the Academies of Music in Liège and in Brussels and he associated essentially with Pierre Froidebise and André Souris while participating in their discovery of the Viennese School. Subsequently, he encountered Pierre Boulez, Karlheinz Stockhausen and Luciano Berio and devoted himself to avant-garde research. He attended the summer courses in Darmstadt, the Contemporary Music Festival in Donaueschingen and he worked at the electronic music studios in Köln and in Milano. He was a teacher of composition at the Music Academy in Basel. In 1970, he created in Liège the Centre for Musical Research of Wallonia. He was appointed as Director of the Academy of Music in Liège in 1975 and he remained in office until 1988. In 1984, he was appointed as Director of the Institute of Pedagogy at the Music Academy in Paris. As the spiritual heir of Webern, Henri Pousseur endeavoured by applying the techniques and the principles of the aleatoric and through combining electronics with traditional instruments - to bring about a renewal of the phenomenon of sound. From among a vast catalogue, we could quote "Symphonie à 15 solistes" (1958), "Les Éphémérides d'Icare" (1970), "Couleurs croisées" (1967) for orchestra as well as the opera "Votre Faust" (1961-68) created in co-operation with the writer Michel Butor. Philippe Bayard Translated by Luc Van Loock